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(PART
1: Sonnets for Tea Time 3/31) SUN. TOPIC: BtVS episode #1 . .
. Mon: #2, Tue: #3
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 Buffy Verse Sonnets #17-18/154:
REMINDER: Tea Time thread will post at 7:00 PM
Bronze Posted by: forensicpopouri - Mar 31, 2002, 2:30
PM
IN THE BEGINNING
(RE BtVS #1: "Welcome To the
Hellmouth") [rhetorical verse in
Shakespearean sonnet
form.]
NOTE: Today's verse post
is a 4-sonnet sequence, posted in two
parts.</NOTE>
(1) TO FULLY
UNDERSTAND when Joss began
to form the
Buffyverse within your mind,
we must go
back before the first film can
for "Welcome
To The Hellmouth" filled. Rewind . .
.
. . . to when the Buffy character was
cast.
When Gellar read, she read for
Cordy's role.
And only when sweet Katie
Holmes had passed
(turned up her button
nose at vamp patrol) . . .
. . . did
Sarah Gellar put on Buffy's shoes.
(A
snotty, little "bitcha's" Sarah's style
--
much better matched to Cruel
Intentions' hues.
She's much more fun
to watch when she plays vile.)
To
sweeten her, Joss gave her baby talk.
And
taught her how to do the hero's
walk.
(2) "THE SOFTER SIDE OF" SARAH
was designed
by Joss to win our hearts. And
it rang true
enough for those who aren't
completely blind
to Sarah's vivid charms
(more than a few).
If this seems an
attack on what we love,
please note that
I've watched ev'ry episode.
If S.M.G. did
not quite fit the glove
of Joss's vision,
that flaw prob'bly sowed . . .
. . .
the seeds of better balance of the
show.
Would I've loved Giles and Willow
quite as much
if Buffy'd stolen scenes like
Dawson's Jo?
Is B. too short and
mean? Well, just a touch.
That may be
why the show worked out so well.
(But if
you see Ms. Gellar, please don't tell.)
<g>
[CONTINUED
IN PART 2]
you
speak
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 Responses
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 CORRECTION: LINK TO PART 2
(oops)
| Posted by:
forensicpopouri - Mar 31, 2002, 5:59
PM |
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http://www.buffy.com/bronze_posts.jsp?tid=53363

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 LINK TO PART 2 of this sonnet
sequence
| Posted by:
forensicpopouri - Mar 31, 2002, 2:58
PM |
| http://www.buffy.com/bronze_posts.jsp?tid=53362

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