| { PGZ EPISODE ZERO / WEEK 06 _ sonnets 053-066 [of 154] _ 14 sonnets |
TeaTimeSunday / SONNETS
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pudding-girl episode ZERO (wk 6) (continued)
EPISODE TITLE (?):
rhetorical verse in
(PREVIOUS WEEKS) |
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| PGZ { wk 6 / 14 } |
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{PGZ/06_053_01.01}
THE ACTRESS who performs SAGESSE just QUIT:
{PGZ/06_053_01.02} "I WILL NOT play the porn you wrote last week. {PGZ/06_053_01.03} THE HOLY WRITER'S turned to 'tail and tit.' {PGZ/06_053_01.04} I did not take this role so you could peek ...
{PGZ/06_053_01.06} What happened to your high philosophy? {PGZ/06_053_01.07} The social transformation you'd inspire? {PGZ/06_053_01.08} I open up the script ... what do I see? ...
{PGZ/06_053_01.10} A LESBIAN LOVE SCENE ... THEN!?! Talking sheep- {PGZ/06_053_01.11} sponge drinking a in bar!?! ... I CALL IT QUITS! {PGZ/06_053_01.12} THE WRITER can go take a flying leap!!"
{PGZ/06_053_01.14} to play SAGESSE. "I like my artists mad." {smile}
{PGZ/06_054_02.01}
MY MUSES smile. They know THE WRITER's nuts.
{PGZ/06_054_02.02}
THEY'RE OFF to join a nunnery. Fat chance ...
{PGZ/06_054_02.03}
... THE WRITER will again see their cute butts.
{PGZ/06_054_02.04}
I call to them: "BUT what about ROMANCE?"
{PGZ/06_054_02.06}
WE'RE OFF to take our vows, but we'll return
{PGZ/06_054_02.07}
to see what you've done with this episode."
{PGZ/06_054_02.08}
THEY FLASH ME one last time so I will learn ...
{PGZ/06_054_02.10}
exposed for just one moment in my face.
{PGZ/06_054_02.11}
I SUMMON self-control, but fail the test.
{PGZ/06_054_02.12}
(I did not know that sports bras came in lace.) {g}
{PGZ/06_054_02.14}
Take off my pants. How else can I be sure? {ewg}
{PGZ/06_055_03.01}
I'll let you wonder what I meant by that
{PGZ/06_055_03.02}
AS WE FADE IN (this week): WE SEE A BED
{PGZ/06_055_03.03}
JEROME IS SLEEPING ON -- make that A MAT,
{PGZ/06_055_03.04}
TATAMI, (YES!) JAPAN: He shakes his head ...
{PGZ/06_055_03.06}
He shakes his head again. "Man, that was strange.
{PGZ/06_055_03.07}
Sagesse and Loulou? ... Fine, BUT THEN that plunge
{PGZ/06_055_03.08}
to total weirdness. ... I must rearrange ...
{PGZ/06_055_03.10}
from Sake that my hosts cannot abide
{PGZ/06_055_03.11}
me not to share with them... A social skunk
{PGZ/06_055_03.12}
I'd be, abstaining from the daily tide ...
{PGZ/06_055_03.14}
He shakes his head."There's writing to be done!"
{PGZ/06_056_04.01}
I'll interview some sal'rymen. Wait. No,
{PGZ/06_056_04.02}
I've done that one... A school-girl prostitute
{PGZ/06_056_04.03}
with cellphone outside Prada Tokyo.
{PGZ/06_056_04.04}
Been done a thousand times, but they're so cute ...
{PGZ/06_056_04.06}
for one more lurid tale of youth and sex ...
{PGZ/06_056_04.07}
A BOOK, perhaps ... a schoolgirl nom de plume:
{PGZ/06_056_04.08}
A diary of practical effects ...
{PGZ/06_056_04.10}
FILE THAT AWAY... A public bath awaits,
{PGZ/06_056_04.11}
but not before I somehow quench the fire
{PGZ/06_056_04.12}
set by my naked sister and her dates ...
{PGZ/06_056_04.14}
I will not tell. I like the status quo.
{PGZ/06_057_05.02}
SAGESSE'S FACE again, BUT something more:
{PGZ/06_057_05.03}
A NUMBER ON HER CHEEK ... we're now aware
{PGZ/06_057_05.04}
has caught somebody's int'rest... But what for?
{PGZ/06_057_05.06}
BESIDE THE FERRIS WHEEL (Why'd they remove!)
{PGZ/06_057_05.07}
WE SEE HER OTHER CHEEK, NOW we'll be clued
{PGZ/06_057_05.08}
into fax "secrets." Now we'll find the groove, ...
{PGZ/06_057_05.10}
Or maybe not ... but still HERE'S SOMETHING NEW:
{PGZ/06_057_05.11}
A DIGIT ON HER CHEEK. (Feel the suspense!)
{PGZ/06_057_05.12}
CUT BACK TO FAX MACHINE (What will who do?)
{PGZ/06_057_05.14}
SAGESSE-CHEEK DIGITS stretching down A HALL.
{PGZ/06_058_06.01}
BUT WAIT ... each DIGIT has a SIGN in front:
{PGZ/06_058_06.02}
a MINUS, OR a PLUS ... and then a 5,
{PGZ/06_058_06.03}
or 4, 3, 2, 1, zero ... WE CONFRONT
{PGZ/06_058_06.04}
THE RANGE of possibility. WE STRIVE ...
{PGZ/06_058_06.06}
SAGESSE has been TRANSMITTING on her walks
{PGZ/06_058_06.07}
down Champs Elysèes, naked, all these weeks.
{PGZ/06_058_06.08}
THE LATEST HIT at water-cooler talks.
{PGZ/06_058_06.10}
and perfect ass ... to hear the passion spent
{PGZ/06_058_06.11}
in arguing just how each new one fits
{PGZ/06_058_06.12}
into the sequence. No one's made a dent ...
{PGZ/06_058_06.14}
"A RANDOM SEQUENCE," says some science guy ...
{PGZ/06_059_07.01}
... or other, on some channel on the dial
{PGZ/06_059_07.02}
a hundred times a day, but that's OLD NEWS ...
{PGZ/06_059_07.03}
or should be, yet EACH NUMBER seems to rile
{PGZ/06_059_07.04}
THE MEDIA to frenzy for NEW CLUES ...
{PGZ/06_059_07.06}
for there to be no story!" they all yell,
{PGZ/06_059_07.07}
and chase SAGESSE around ... and push and fight
{PGZ/06_059_07.08}
to ask again. ... SAGESSE SAYS:"Go to hell."
{PGZ/06_059_07.10}
SUPPOSEDLY -- expenses paid -- to ask
{PGZ/06_059_07.11}
the Japanese about... But he's no fan
{PGZ/06_059_07.12}
of naked sister's yanking chains to mask ...
{PGZ/06_059_07.14}
Yet still, he bets big bucks which way she's signed.
{PGZ/06_060_08.01}
HE'S IN THE HOLE five grand or so. Big deal!
{PGZ/06_060_08.02}
He'll shift his school-girl sex book budget 'round.
{PGZ/06_060_08.03}
How many diff'rent ways to cop a feel
{PGZ/06_060_08.04}
must you explore. Must you record each sound ...
{PGZ/06_060_08.06}
you of designer quantities of cash.
{PGZ/06_060_08.07}
Her hand-bag-loving eyes do not deceive
{PGZ/06_060_08.08}
your writer's tender heart -- she'd be so rash ...
{PGZ/06_060_08.10}
your unshaved Gaijin face come sailing by.
{PGZ/06_060_08.11}
It's just research. A writer in disguise
{PGZ/06_060_08.12}
as pervert masquerading as cool guy.
{PGZ/06_060_08.14}
(But as for certain details, he'll be lax.)
{PGZ/06_061_09.01}
I HEAR MY AGENT SCREAMING, "No, Boke, please!
{PGZ/06_061_09.02}
Don't go there! ... Rhyme will not be an excuse.
{PGZ/06_061_09.03}
What will you write now: He's got some disease?
{PGZ/06_061_09.04}
Some mental illness? Is it drug abuse? ...
{PGZ/06_061_09.06}
You're in the U.S.A. and heaven knows
{PGZ/06_061_09.07}
you'll have to leave or somebody will kill
{PGZ/06_061_09.08}
you for so blatantly to rub our nose ...
{PGZ/06_061_09.10}
"CALM DOWN," I say, "Don't worry. This is ART."
{PGZ/06_061_09.11}
"Well, leave me out of it. YOU MAKE THE SALE!"
{PGZ/06_061_09.12}
He hangs up saying, "You know that's not smart."
{PGZ/06_061_09.14}
No agent can sell sonnets anyway.
{PGZ/06_062_10.01}
OK, no touch. JEROME, AN INTERVIEW
{PGZ/06_062_10.02}
WITH SCHOOL-GIRL CALL-GIRL as they walk the street
{PGZ/06_062_10.03}
past NUDE SAGESSE on BILLBOARDS. (Yes, there, too.)
{PGZ/06_062_10.04}
AN ADVERTISING ICON -- quite a feat ...
{PGZ/06_062_10.06}
in public ... NOW SHE'S PAID TO DO THE SAME
{PGZ/06_062_10.07}
AROUND THE WORLD ... while people try to guess
{PGZ/06_062_10.08}
the meaning of her numbers. Shout her name:
{PGZ/06_062_10.10}
PERHAPS THAT MAKES MORE SENSE now that cash flows
{PGZ/06_062_10.11}
from HER BOLD PROVOCATIONS that reset ...
{PGZ/06_062_10.12}
... the CONTENT of "what everybody knows."
{PGZ/06_062_10.14}
(Or "bare" ... each fits, so either one. Don't care..) {g}
{PGZ/06_063_11.02}
at features of her city to explain
{PGZ/06_063_11.03}
not common in the West. He will ANOINT
{PGZ/06_063_11.04}
a few "newsworthy." One's: "Home for Insane ...
{PGZ/06_063_11.06}
Two categories seen as one, quite clear.
{PGZ/06_063_11.07}
As "everybody knows" (except "a fool")
{PGZ/06_063_11.08}
you're nuts if you won't go. Japan strikes fear ...
{PGZ/06_063_11.10}
The SCHOOL-GIRL CALL-GIRL cuts her giggles off
{PGZ/06_063_11.11}
as we pass by the building, she forgets
{PGZ/06_063_11.12}
to smile at you -- goes silent -- just one cough ...
{PGZ/06_063_11.14}
where we will buy her what her smile is for.
{PGZ/06_064_12.01}
DEMOCRACY & MADNESS is a port
{PGZ/06_064_12.02}
THE WRITER's sailing for without a chart --
{PGZ/06_064_12.03}
apparently not fearing any tort
{PGZ/06_064_12.04}
society may frame him for... He's smart ...
{PGZ/06_064_12.06}
where people are "compelled" to clear a space
{PGZ/06_064_12.07}
by RHETORIC: ... however we disguise
{PGZ/06_064_12.08}
the reasoning -- as ART or LEGAL CASE:
{PGZ/06_064_12.10}
BUT -- with her numbers on her cheek -- prevailed.
{PGZ/06_064_12.11}
(NOTE: This is why she got the pudding call.)
{PGZ/06_064_12.12}
NOT ONLY is she FREE from being jailed, ...
{PGZ/06_064_12.14}
GO NAKED in the morning, when it's cold....
{PGZ/06_065_13.01}
... enough to keep all sane folks safe and warm,
{PGZ/06_065_13.02}
until they make their way, on time, to work ....
{PGZ/06_065_13.03}
Do what's expected -- never face the storm
{PGZ/06_065_13.04}
of social disapproval. How they'd smirk ...
{PGZ/06_065_13.06}
Their children safe to make their way to class.
{PGZ/06_065_13.07}
No crazy women's tits and scrawny tail
{PGZ/06_065_13.08}
to terrorize them. Gendarmes grabbed her ass ...
{PGZ/06_065_13.10}
to calculate her sanity in doubt.
{PGZ/06_065_13.11}
"Perhaps la femme Godiva lost her horse?"
{PGZ/06_065_13.12}
"Send me to jail, or pull your pecker out, ...
{PGZ/06_065_13.14}
"OK! She's sane. Yes, give her to a cop."
{PGZ/06_066_14.01}
AND SO THERE WAS A TRIAL. She made her case:
{PGZ/06_066_14.02}
"The number on my cheek each day is ART.
{PGZ/06_066_14.03}
My nudity's THE FRAME -- not just my face.
{PGZ/06_066_14.04}
When will it end? Who knows? I'm at the start."
{PGZ/06_066_14.06}
(If French courts do not work this way, too bad.)
{PGZ/06_066_14.07}
And so when time for judgement came, they stood
{PGZ/06_066_14.08}
and shouted out "NOT GUILTY!" Ev'ry lad.
{PGZ/06_066_14.10}
to stroll nude ev'ry day at dawn until
{PGZ/06_066_14.11}
she'd finished her ART-WORK. And then they freed ...
{PGZ/06_066_14.12}
her from their custody (she'd had her fill) ...
{PGZ/06_066_14.14}
upon her FREEDOM. FOR THIS ... she GETS PAID. {smile}
{
(END OF ACT I)
# # # BOKE
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[TO BE CONTINUED NEXT WEEK...
BASED ON YOUR SUGGESTIONS]
TO EPISODE ZERO: WEEK 7 (ACT II BEGINS)
 
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